I was looking for another way to say "hodgepodge collection" and discovered the word GALLIMAUFRY in the dictionary. I love words, and I enjoy learning new ones, especially the ones that sound scary and are very rarely used by anybody except uppity english professors, a grandstanding Philippine senator whose name starts with "M", and a certain blogger who believes it might help her sound more intelligent than she really is. Owing to the fact that my memory is no longer what it used to be before I sabotaged the wiring with nicotine and Zoloft, it's likely that I will have forgotten the word within the next seventy-two hours. For the sake of posterity, 'gallimaufry' means a confused jumble of things. It can also mean a dish of minced meat, and is derived from the archaic french 'galimafree', meaning 'an unappetizing dish'.
Here are the ingredients that made up my unsavory week.
My new book project is just as difficult as the last one, and as a result I've been up every night until 3AM, wrestling with the copious prose of an early 19th-century author. I thought that after surviving my bloody match with Homer (probably the worst case of verbal diarrhea in the history of man), anything else that got thrown my way would be a piece of cake. I was entirely wrong. I think I may be doomed to absorb the radiation from my computer monitor through my eyeballs for the next eight weeks. God knows I tried, but I can't go any faster than that. I can't get past two chapters of this new book without straining so much that I could probably lay an egg on my chair if I were a roosting chicken. Squawk!!
I met a friend for dinner last Wednesday night. She lost her father to cancer a few months ago, and I wanted to see how she was doing. I don't know the first thing about how to behave around the freshly bereaved, so I didn't bring up the subject. I talked about other things. The conversation went well for a while, until I mentioned something related to men (never mind what it was exactly). Well, she snapped. I could swear I saw red sparks shooting out of her eyeballs when she groused that all our group ever talks about are men and dating, and the lack of either of them. 'Can't we talk about anything other than that?' she barked, and if I didn't happen to be strangely in control of my tongue that night, I would have probably said something flippant like "Like what, quantum physics?"
I didn't apologize for bringing up a subject she was apparently sick of. I didn't bring it up to rile her in the first place. I said something along the lines of man-talk being ultimately unavoidable between aging single women friends, and then I let the matter rest. Perhaps it was after I remained quiet for a while and turned my attention to my roti canai and curry sauce, that she began to talk about how sad she was feeling lately. She said she wanted to start being happier, but she couldn't. She said she didn't know what to do about money when the schoolyear ends and she'll be out of work as an art club teacher for a while. She wants to look for other work or maybe start a small business, but she can't get herself to act on it on account of her grief. All I could do was listen, and say that it was normal to feel that way, since it has only been a few months since her father passed away. I told her she ought to let the sadness run its course first, and sometime soon she would know when she was ready to move on.
She said something that made me feel somehow that she didn't believe she would ever get over her grief. She said she knew someone who was still grieving after three years, and though she didn't say so, I'm convinced she expects herself to do the same. I know many people will disagree with me on this, but I believe that you can take control of your grief if you really wanted to, and if you recognize the necessity of doing so -- not immediately of course, but after some time has passed. A year seems quite enough time to mourn the loss of a loved one. Perhaps two, if it was someone you were really close to. But if you take any more time than that, I think it means you would rather not step back into a world that has undergone an irrevocable change. Grief takes hold of us whether we like it or not, when someone dies. But when it goes on far too long, I think it's because we don't want to let it go.
But what do I know? I have a twelve-year old's understanding of grief. My own father died when I was in sixth grade. I shook hands with the reaper twenty-five years before most everyone else. I learned to see death as something to be expected at any time, something that shouldn't come as a surprise. I came to understand it as something you had to get over as quickly as you could, because the rest of our lives were stretched ahead of us, and we didn't have a choice but to live it without him.
I went to see another friend, and I told her about my encounter with the recently-bereaved friend. She says I am the often the perpetrator of the lately-annoying discussions about men, and agrees that I am the worst person to have around people who have just lost someone special. She also says that I can be very irritating when I am too bubbly around someone who's feeling low, and that I tend to talk about "fluffy" stuff that nobody really wants to hear.
I understand perfectly, though it stings to be told such a thing. I doubt, though, that much can be done to cure me of my stingy sense of sympathy or my bubbly fluffiness. My capacity for condolence is fixed; my childish interests chronic. I guess I will just have to learn to shut up more often.
It's the seventh month of my madness for all things Japanese. I now have a vocabulary comparable to that of a Japanese six-year old, can form actual sentences for basic survival, and count up to 99,999. I know two ways to call someone a moron. The Ernie doll behind the back seat of my car wears a kimono. I often sing J-pop when I drive. I have watched at least half a dozen Japanese tv series. I own a genuine yukata and five Miura miniature plants named Daniel (from my short-lived Korean period), Nakatsu, Sano, Izumi, and Chiaki. I recently got over my admiration of Tamaki Hiroshi, and am now starry-eyed over Mukai Osamu, who plays Mayama in the live action version of "Honey and Clover" (Hachimitsu to Kuroba). (He is living proof that a good-looking face can be made even better with the right pair of glasses. Sure, the boy is ten years too young for me, and in some countries I'd probably be stoned for unlawful attraction to a minor, but it's not like I'll ever get anywhere near him anyway).
**Warning: possibility of disturbing visuals. Last Tuesday morning, as I sat on the toilet doing number two and flipping through my cellphone messages, I got the idea of changing my phone language to Japanese. It was only after the deed was done (not the toilet deed, the phone one), that I realized that I wouldn't know how to return to the English menu because I couldn't read in Hiragana. Panic! Flop sweat! I was assaulted by visions of asking for help from a half-Japanese friend from high school or a Greenhills cellphone pirate, and having to relate the details of my idiocy. Masakaaaaaaa! One hour later (but honestly, it felt like an eternity), thanks to a combination of elimination, dumb luck, and the menu listings from the manual, I restored my unit back to English. Now would be a good time to call myself a moron in one of the possible two ways. twistedspinster no ahoo!